After my heady dip into Mary Oliver’s Red Bird, I decided to go back through my own poetry collection. Now that I’m *cough*40*cough,* I thought it’d be a good time to reevaluate whether or not I really need to continue carting these books through life with me — and whether they really are worth the shelf space, which becomes more and more of a premium in this growing family.
Some things have not stood the test of time, and I will soon be carting them to my Half Price Bookstore. But SOME things are even more delicious at mid-life. Badmom, I don’t have enough Keats in this house to indulge fully; but I found a few things in anthologies, one of which describes his writing as “sensuous” and “intellectual.” (Well, THAT’s got Badmom written all over it!)
MY new best friend is Carl Sandburg. I’m not even sure where I picked up this 1960 copy of Harvest Poems. But how FUN to read all the Chicago poems now that we live in, um, CHICAGO! When we were in SC, we lived about an hour from Connemara, his goat farm in NC where he spent the last 20 years of his life. I’m not sure where I’m going with this except to say, I’ve always enjoyed learning about him and digging into his work. There are some treasures in “Harvest Poems.” Here’s one that hit me where I live in the dog days of summer. From p. 25, “Red and White”:
Nobody picks a red rose when the winter wind howls and the
white snow blows among the fences and storm doors.
Nobody watches the dreamy sculptures of snow when the sum-
mer roses blow red and soft in the garden yards and corners
O I have loved red roses and O I have loved white snow–
dreamy drifts winter and summer–roses and snow.
And from p. 74, “Primer Lesson,”:
Look out how you use proud words.
when you let proud words go, it is
not easy to call them back
They wear long boots, hard boots; they
walk off proud; they can’t hear you
calling–
Look out how you use proud words.



















